davinci resolve media offline just added

Transcoding proxies to the wrong format can be a very costly mistake! If you're footage isn't organized, start there! If you don't know your project's final specs, consult with your project coordinator or post supervisor before proceeding. This guide assumes OCM is backed up and verified folder locations and names are standardized and format, dimensions, and frames per second of the FPS of the deliverables are known. The Resolve to Avid workflow starts with setting up a Resolve project to spec. The workflow detailed below is more or less the same no matter which version you use. Be sure your production is ready to absorb any costs associated with using Studio before you request an installation from Frame One Support. Studio also includes GPU encoding, among other neat features like super-scaling, which may respectively increase export speed or quality. If your OCM has dimensions over UHD (3840 x 2160) or 60 FPS, you will need a paid Resolve Studio license to everything to work.

When the time comes to conform your story back to 'Original Camera Masters' (OCM) Resolve is a great asset to relinking media it managed in the first place.

If your project plans to cut in Avid Media Composer but color and finish in DaVinci Resolve, start in Resolve! This workflow takes advantage of Resolve's media engine to transcode proxies for Avid quickly and reliably in the background.

Davinci resolve media offline just added